![]() ![]() “Bob Evans was very handsome, tall, and impressive,” Coppola remembered. On the other side was Robert Evans, a studio chief determined to avoid the miscasting that had plagued Mob films like The Brotherhood. On one side was Coppola, a young director determined to cast the actors he saw so vividly in his imagination. Thus began the major battle of The Godfather, one that would far eclipse the heated skirmishes over where the movie would be shot and its increasingly escalating budget. He wrote out his wish list on lined yellow paper, with asterisks next to his top choices: Al Pacino as Michael, James Caan as Sonny, and Robert Duvall as Tom Hagen. ![]() ![]() įrom the start, Francis Ford Coppola knew exactly who he wanted for all the major roles. But the studio resisted most of his casting decisions, especially the seemingly washed-up actor he was determined to cast as the lead. A promising young filmmaker named Francis Ford Coppola had begrudgingly taken on the project. Now, the studio had to make the picture, which many bankable directors had turned down. Paramount had snagged the rights to Mario Puzo’s raging best seller, The Godfather, cheap. ![]()
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